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  • 06.04.25

    New Paintings by Grace Watts

    Artist statement: The illumination of one’s purpose and direction inspired this selection of paintings, deriving from my research in cosmology, spirituality, and philosophy. Here, I explored the individual’s journey guided through light and energy.

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  • 05.25.25

    New Paintings — Woo Byoung Yun

    Artist Statement: Titled Non-reification, this collection reflects my desire to portray human existence through the intangible. Drawing from the Frankfurt School’s concept of reification — particularly the process by which human relationships are commodified and individuals are reduced to functional, even replaceable, entities — these paintings strive to go beyond the realm of the material and engage in the sensorial. Non-reification reveals a world not through visible form, but through resonance — intimate, invisible, and vibrational.

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  • 05.23.25

    Migaam x Casa Francis

    Migaam and Casa Francis warmly invite you to join a Korean tea ceremony of 6 delicate courses, serving Korean tteok, kumquat jeonggwa, and more. The 1-hour event will be hosted in conjunction with our current show — Have you eaten today? (밥 먹었어요?) — at Casa Francis, featuring works by Ash Roberts, Christina Kim of dosa, John Zabawa, Koo Bohnchang, Nancy Jiseon Kwon, Lindsey Chan of Office of BC, Rahee Yoon, Will Calver, and Yoona Hur.

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  • 05.14.25

    Casa Francis

    Casa Francis — our new exhibition space set in a Spanish Colonial home, just a stone’s throw from the LA gallery — opens this weekend.

    The inaugural show, Have you eaten today?, features site-specific works by Ash Roberts, Christina Kim of dosa, John Zabawa, Koo Bohnchang, Nancy Jiseon Kwon, Lindsey Chan of Office of BC, Rahee Yoon, Will Calver, and Yoona Hur.

    Casa Francis will be open by appointment only, and Have you eaten today? will be on view from 16 May – 12 June.



    Reserve your visit here

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  • 04.16.25

    New Work by Paul Philp

    Paul Philp’s work demonstrates a deep sensitivity to structure. A long experimentation with three-sided and four-sided vessels has resulted in the refinement of a dynamic, shifted shape, where perspectives seem to merge across its gently tilted planes. “Vases have always intrigued me,” Philp says. “I wanted the challenge of somehow making the epitome of a classic shape, but taking it further, beyond the traditional, rounded form.” Having settled on his archetypal four-sided vessel over a decade ago, Philp continues to gain a nuanced understanding of its form through repetition, making only the slightest adjustments to each piece.

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  • 02.26.25

    New Collection by Ash Roberts

    “The more darkness you can gather up, the more light you can see too.”

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  • 01.30.25

    In Conversation with Myoung Ae Lee

    Over the past four decades, Korean artist Myoung Ae Lee developed a practice delving into themes of materiality, relationality, and space. Lee’s shaped canvases, currently on view at our LA gallery, challenge the flatness of the surface while preserving its essence. The resulting canvases by Lee interweave the artist’s individuality with the materiality of her medium, imbuing a sense of poetic correspondence. During a conversation at her home-studio in Daejeon, Korea, Lee and I discussed her shaped canvases, her return to academia, and the ongoing process of discovery and revelation at the core of her practice.

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  • 01.24.25

    exhibition two: headlands

    For SF Art Week, we've partnered with Evan Kinori to present a weekend exhibition comprising Kinori’s new furniture collection made from sustainably salvaged old-growth redwood; a capsule of naturally dyed garments; and a collection of paintings and sculptures curated by gallery director Rosa Park. William Stout Architectural Books will complement the experience with a selection of rare books, while Stuart Bogie will set the soundscape with a live performance.

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  • 12.04.24

    New Collection by Samuel Collins

    Artist Statement: Making art provides time for my hands to catch up with my thoughts. I can often be impatient, but this becomes entirely irrelevant when carving stone: they have lived for millenia, and demand your time and concerted effort. I have felt the pull of stone since before I learned how to carve. I would hike to remote tors and stone circles in Dartmoor, or collect small shards of flint from farmers’ fields in Suffolk. There is a primaeval appeal to stone, like the irresistible magnetism of an open fire.

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  • 11.22.24

    Andrea Walsh - Open Studio

    Andrea Walsh will have a special open studio sale of some new pieces available exclusively from her studio, where 10% of sales from the weekend will be donated to Maggie's cancer care charity.

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